Gary Moore’s Guitars and Gear

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This resulted in the so-called lawsuit period. During this period, Ibanez produced guitars under the Mann name to avoid authorities in the United States and Canada. The company has produced its own guitar designs ever since. The late s and early s were an important period for the Ibanez brand. Most Ibanez guitars were made by the FujiGen guitar factory in Japan up until the mid- to late s, and from then on Ibanez guitars have also been made in other Asian countries such as Korea, China, and Indonesia. Cimar and Starfield were guitar and bass brands owned by Hoshino Gakki. In the s, Hoshino Gakki and Kanda Shokai shared some guitar designs, and so some Ibanez and Greco guitars have the same features. The Greco versions were sold in Japan and the Ibanez versions were sold outside Japan. From , Ibanez guitars have also been sold in Japan as well. In September , Elger was renamed “Hoshino U.

Fender® Telecaster® Pickguards

He remained active until his untimely death in February His main guitar in the early years was a Les Paul acquired from Peter Green of Fleetwood Mac, which he owned for more than 40 years before selling it in This is the guitar that Gary used on his best selling album Still Got The Blues, and the one he kept by his side until his death.

As said, Gary used this guitar very briefly and it pretty much disappeared after mid

I just got in 3 models of some of the best vintage style guitars I’ve seen for the money. They arrived with a very good setup, the fit and finish is excellent, and they are made with quality hardware and electronics including a Wilkinson vintage style tremolo with “pop-in” trem arm and Allen-screw tightness adjustment, Sperzel USA locking tuners, and TTM’s own Palladium Series pickups.

E-H talking pedal I just earlier this evening found out that what I thought was a talking pedal was actually called a Golden Throat. What does a talking pedal do, and how does it work? Is it the same thing as a Golden Throat? They are completely different. The golden throat is a “talk box” like Frampton, Walsh, etc used. It is a speaker driver connected to a tube which goes in your mouth and needs to be miked through a PA to be used. Your mouth acts as a filter.

The Talking pedal is like a big wah wah pedal, but instead of saying “WAH” it says “eee aaaa iiii oooo uuuu” when it is moved, the vowel sounds. It goes in the path between the guitar and amp, much more useable than a talk box. But the talk box can make more different sounds. In the Bad Stone I can’t switch back and forth from auto to manual. Once I get it to be auto on the effect if I jar it too much it goes to manual so I have to jiggle the switch a bit. On the Big Muff I can’t get it to go to tone bypass very often, when you switch it, it just loses all signal.

Dating a vintage Fender steel guitar

If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 so I figure, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.

Harmony’s Other instruments. I have been trying top keep you up to date with The Harmony Guitar’s assortment of Guitars. With the new 5th edition of the Blue Book of Guitars there is finally a coherent documentation of the different models of guitars made by the Harmony Guitar Co. of Chicago.

Don’t let anyone try to convince you that there is a Strat Plus, they just did not exist. It was owned by a former Fender employee who recently passed away. The strings, I am certain, were the original from 87, as they were rusty and hard to pull through the nut. I have owned ‘s of Strat Plus’, as well as helping s of people to identify their guitars. I also saw where Shell Pink was listed as an available color from Fender in color code 56 but not in any of the Strat Plus brochures.

This is the oldest Strat Plus I have come across yet, as it came off the assembly-line July 27th, ! Scroll up to see John’s Custom Shop work log. The backs of the pickups do not even have any stickers with the part or patent numbers. Instead they are hand scribed most likely done by Jeff Lace when in high school. The numbers on the pickups indicate the order which they were manufactured!

Guitar Player Magazine Backissues

This guitar has a nice weight at well under 9 lbs: The neck has a comfortable 59 profile: This was used as a reference color guitar over the years, and has never left the Memphis factory since until now.

G&L Legacy Tangerine Metallic SOLD. We’re getting fantastic used gear in daily here at The Minor Chord, here is an eye-popping offering from our friends at G&L. Recently built in their Fullerton, California factory in , the Legacy model is their straight ahead strat-style guitar.

At that time, it was suggested that there might be as few as four replicas made. These guitars have serial numbers, but they are NOT serialized 1 through Each guitar John Cruz makes, regardless what kind of guitar, gets the next serial number in line. He mentioned to me that Jimmie was getting three of the guitars. Mine is JC which Mr. Cruz informed me was the 12th Tribute Strat. There is no shortage of criticism of the project.

I do not see it as different from any other product – where there is a demand, someone is going to fill it. Stevie’s guitar is one of the most easily identifiable, famous guitars in history, and folks other than Fender have made dozens of replicas of Number One at prices from several hundred to five thousand dollars. Fender’s Custom Shop employs some of the best craftsman in the business, and it is not unusual for their guitars to sell for thousands of dollars due to the number of hours spent handcrafting each guitar.

It is my understanding that sales of the Number One guitars worked like this: Fender sold them to their top dealers in this case by a lottery system due to the high demand who can resell them to customers or not. For the Clapton , my understanding is that orders were taken on a specific date from Fender dealers on a first-come first-served basis.

In both cases, the customers who were successful in getting a guitar were those who paid for them in advance.

Customer reviews

This is one of the most frustrating questions from the MIJ collector. People often make the mistake of citing the American or European importer as the ‘maker’ of the guitar, when in fact several Japanese manufacturers were producing badged guitars out of their plants and shipping them to America and Europe to sell. Japanese manufacturers made multiple badges at the same plant, many of whom resemble each other closely.

Some manufacturers merged or changed hands over the years which added to the confusion, sometime merging with another maker, only to pick up their name later.

The V.C. Squier Company manufactured strings for violins, banjos, and was established in by Victor Carroll Squier in Battle Creek, , the company was acquired by , Squier became defunct as a manufacturer and a brand name for strings, as Fender opted to market its strings under the Fender brand name.

It is the same guitar in fact that I played on a youtube video and that was featured in a blog post six years ago. It belonged to a collector of MK-related guitars who lives near my place, and when I learned that it was for sale I could not resist. With this blog post I want to focus on the Floyd Rose tremolo on such guitars. I must admit that I had never delved deep into Floyd Rose tremolos and their differences before, but with the arrival of this guitar I had a closer look at it.

One striking feature of an original Floyd Rose are the protruding screws on the rear side of the bridge that lock the string ends. I could not remember such long screws on the MK-1 so I had a closer look at some pictures of it again. Schaller tremolo on the original MK-1 Original Floyd Rose base plate made of steel Die-cast Schaller base plate Schaller is a German hardware manufacturer, well known for e.

Some quick research told me that in fact Schaller was the manufacturer of the original Floyd Rose tremolos for a long time. So these were made in Germany for Floyd Rose. In addition to the original Schaller-made FR tremolos various FR-licensed tremolos were available from several companies, and Schaller was one of these.

Japanese Manufacturers of Made in Japan Badged Electric Guitars From 1960 to 1980

Don’t let anyone try to convince you that there is a Strat Plus, they just did not exist. It was owned by a former Fender employee who recently passed away. The strings, I am certain, were the original from 87, as they were rusty and hard to pull through the nut. I have owned ‘s of Strat Plus’, as well as helping s of people to identify their guitars. I also saw where Shell Pink was listed as an available color from Fender in color code 56 but not in any of the Strat Plus brochures.

Guitar Player Magazine Backissues. Hard To Find Magazine Backissues Good, Clean Fun. No Wait Period. No registration. No Taxes. Think about it Where can you have this much fun for so cheap?

These models were Fender models and not Squier models. The Squier series were also made available for the Japanese market in October , which incorporated small changes compared to the export Squier series. The large Fender logo of the export Squier series was soon changed to a large Squier logo. The SQ Squier series was introduced in late to early There were some JV serial numbered Squiers based on 70’s models as well with the larger head stock and a 3 bolt neck plate.

These were intended for the Japanese domestic market and were given a JV serial number, but they are identical to SQ Squiers that were exported at the time. Vista models[ edit ] In , Squier began to manufacture the Vista Series, which saw them introducing their own unique guitar designs independent from the Fender mother company for the first time. Made in the same factory as the Japanese Fenders of the era, they were known as high quality guitars. Later, in 97, a guitar version of the Musicmaster Bass was added, though it should be noted this was based on the bass design, and not the Fender Musicmaster guitar design of the s.

Frequently Asked Questions

If you’re looking for an easy to play guitar, the action doesn’t get any lower than this baby. Excellent value and quality that’s typical of Korea today. This model was only made in one small run so there aren’t many of these around – most of the Harm 3 models feature the cats eye f-hole in a semi-hollow design while this model was a limited edition production model that’s no longer available.

Strat Plus Series was introduced by Fender in and was the highest end production model next to Fender’s Custom Shop guitars. Production was stopped in July of There was some transitional Strat Plus’ in that were a mix of the new DX Strat series and the Plus Series.

If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.

People are raving about these things as a way to recreate that vintage tape delay in a small stomp box. It does a cool chorusing thing that I really dig. Check it out here.

1960’s Vintage Guitars

The body is made of highly flamed maple, absolutely gorgeous. And most of all, there is a detail we have never encountered on a Country Club: The sound post connects top and back, giving the guitar a greater rigidity, to avoid feedback problems when played really loud. No heavy dings, no heavy wear. The binding deterioration, so common on ’60 Gretsches, was becoming a real problem on the guitar’s body, since it just could not be stopped in any way.

The table below shows the Fender serial numbers as they were used from to The serial numbers in principle chronological, but as already mentioned, as a result of Fender’s production, there are a several serial numbers that overlap.

Bass 6 , to Typical wear on a ‘s Fender maple fingerboard. Fingerboard Material Maple fingerboard, s: This was the standard neck on all models until when the Jazzmaster was introduced with a rosewood fingerboard; the rest of the Fender models changed to rosewood fingerboards in mid Rosewood fingerboard, “Slab” Brazilian , to That is, the bottom of the fingerboard was flat and the board was fairly thick. A picture of a slab board neck as seen from the “butt” of the neck can be seen in this picture.

Pickup Height Adjustment


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